Director’s Note

Why do we keep coming back to the lake? On Golden Pond was introduced to audiences in the late 70s and for the last four decades it has remained a cultural staple. It’s been on Broadway, the silver screen, and even had a television adaptation. I haven’t met a person who can’t relate to an aspect of the show, whether it’s being or having an estranged child, struggling to make peace with an aging parent, blending families, or losing a loved one to the decline of dementia. No matter which character or which aspect of the show they relate to, every person sees a piece of themselves or their family on the stage. It has lasted for almost fifty years not only because of its relatability, but also its ending.

For me, On Golden Pond is the story of family and forgiveness. Unforgiveness only hurts yourself; although she’s an adult and physically far away, Chelsea is still burdened by her unresolved pain. And Norman is wallowing in his twilight years, bereft of purpose or drive. Because of Billy, Chelsea and Norman are both brought to a place where they can make peace with each other. My hope for you, dear audience member, is that you leave the theatre tonight encouraged and with direction for forgiveness in your own family.

So to quote the playwright, the show is dedicated to our parents, “who aren’t Ethel and Norman, but might be. Enjoy your time on the lake.”